What You Need To Know About Ozempic, The Diabetes Drug Fueling Hollywood’s Harmful Weight-Loss Obsession

Photographed by Jeff Harris, Vogue, October 2005

Oh, oh, oh, Ozempic,” croon the voices in an oft-aired commercial for the Type 2 diabetes drug, Ozempic by Novo Nordisk. The jingle is sung to the tune of “Magic” by the 1970s band Pilot—which is fitting: With its reported ability to cause rapid weight loss as a side effect to blood-sugar management, the drug has been hailed as a miracle treatment by those in the know.

“Patients consider it a wonder drug,” says New York dermatologic surgeon Paul Jarrod Frank, MD, who, like many doctors, is being asked about it with a dizzying frequency. “Other than Viagra and Botox, I’ve seen no other medication so quickly become part of modern culture’s social vernacular.”

That’s not an understatement. The term “post-Ozempic body” is trending and is increasingly batted around in social media and IRL as speculation swirls following any high-profile—and highly visible—weight loss. Last month Elon Musk credited Wegovy, a similar drug, as one of the reasons for his more svelte appearance (fasting was the other)

Andy Cohen tweeted about #Ozempic in September, a hashtag that has clocked over 274 million views on TikTok; and it’s been widely suggested that Kim Kardashian relied on the drug for dramatic weight loss in pursuit of fitting into Marilyn Monroe’s famous wiggle dress at this year’s Met Gala. Whether celebrities admit to using it (or not), Google searches for Ozempic are also on the rise, signaling an insatiable desire to learn more about its sudden slimming effects.

With thinness currently dominating the fashion landscape again (some would argue that it never really went away), it’s a reminder of how easily weight can be influenced by the trend cycle. But the fact that many people are willing to subject themselves to regular injections and potentially uncomfortable side effects in the name of fitting into a narrow body standard is troubling, to say the least.

“I worry about the body distortion, dysmorphia, and the example we are setting for young women already so vulnerable to the unrealistically filtered versions of beauty,” says LA-based cosmetic dermatologist Ava Shamban, MD. Nancy Rahnama, MD, a board-certified internist and obesity-medicine specialist in private practice in Beverly Hills, agrees:

Celebrities using, or rather abusing, these weight-loss drugs—not for health reasons but simply to achieve their ideal figure—is deeply problematic in its amplification of weight-loss culture, says Dr. Rahnama. As diminutive waistlines become conflated with health, what, exactly, is this now perpetually name-checked class of drugs, and who should—and, perhaps more importantly, shouldn’t—be taking them?

 What is Ozempic?

A semaglutide, which is the active ingredient in Ozempic, belongs to a class of medications called GLP-1 agonists. These compounds replicate a hormone we all make in our intestines that is released after we start eating. “Semaglutide increases insulin release in response to glucose intake and causes a minor delay in gastric emptying,” says Ariana Chao, MD, an assistant professor at the University of Pennsylvania School of Nursing and medical director of the school’s Center for Weight and Eating Disorders.

“It also acts in areas of the brain involved in regulating appetite and food intake. The medication also makes your body more sensitive to the insulin that you produce on your own, adds Holly Lofton, MD, a clinical associate professor in the departments of surgery and medicine and director of the Medical Weight Management Program at NYU Langone Health.

“By doing that,” explains Dr. Lofton, “it helps your body’s fat cells shrink over time.” Novo Nordisk produces both the semaglutide Ozempic and Wegovy, which, while approved for two different purposes, are in fact similar. “Semaglutide 1 mg (Ozempic) is a once-weekly injection FDA approved to treat diabetes since 2017.

A higher 2 mg dose was approved in early 2022,” says W. Scott Butsch, MD, MSc, director of obesity medicine in the Bariatric and Metabolic Institute at Cleveland Clinic. “Wegovy is a higher dose of weekly semaglutide (2.4 mg) that was approved for the treatment of obesity in July 2021…

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Source: What You Need to Know About Ozempic, the Diabetes Drug Fueling Hollywood’s Harmful Weight-Loss Obsession | Vogue

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Influencers Are Utilizing Collaboration To Win Against AI Algorithms; Here’s How

Visitors use their mobile devices to take pictures of themselves posing in a pink ball bath at the ... [+]DPA/AFP via Getty Images

It’s normal to hear the cliche, two are better than one, but this statement has been proven true among influencers in the last five years. Growing followership and influence on social media is not an easy feat, and with changing algorithms, it’s even more difficult.

Social media has become the top cultural influence on society. More people, especially Gen Z and Millennial generations, depend on social media platforms for their information, advice, and counsel, especially as regards lifestyle and fashion choices. This reality has placed social media influencers on a pedestal as some of the most relevant figures in modern culture.

The biggest question that influencers and aspiring influencers have to answer consistently is, “Can we still grow a healthy following organically in the age of changing algorithms?”

Renowned supermodel Stefanie Gurzanski seems to think that this is possible. In her words, “Value is king, the first step to doing it organically is finding your audience and determining what they consider as value. Then you have to create content around that and dish it out consistently. When all is said and done, you need help from others as well.”

As a supermodel, Stefanie Gurzanski, who is more popularly known as Baby G, has featured on the cover of some of the world’s most prestigious magazines like Vogue, Cosmopolitan, and Elle. She has also stunned at many of the world’s most prestigious fashion shows and red carpets.

However, one of her most significant accomplishments has been turning that success into a digital media empire and becoming an Instagram influencer with millions of extremely loyal followers. Stefanie believes that collaboration is one of the most powerful keys to growing followership in a world where algorithms are becoming more demanding. In this article, Stefanie shares why she thinks collaboration is so important.

According to Instagram, the main rule about Instagram algorithms is that not one but many algorithms influence a user’s Instagram experience. Different AI algorithms analyze user behavior on the different parts of the app; reels, feeds, and explore. All these algorithms work together to determine what we see or not see on Instagram.

The Instagram model is more or less the same on Facebook, Titok, and youtube, where various AI algorithms are used to achieve these exact results.

According to Stefanie, “Instagram has been a bit more transparent about how their algorithms function and this has helped influencers build systems around their brands that help them get the most out of the platform. What I have found is that the key ingredient that enables us to get the best out of all the algorithms is collaboration.”

Adam Mosseri has taken his time to summarize how the Instagram algorithm functions in a post. Four key factors influence the Instagram algorithm for feed posts.

  • First, the algorithm considers the basic information about the post; Is it a photo or a video? When was it posted? How many likes does it have?
  • Secondly, it considers the information about the poster; How interesting does the user find them to be? How often does the user engage with their content?
  • The third factor is the user’s activity; is the user a heavy video-watcher, or does the user prefer other kinds of content?
  • The final factor is the user’s interaction history; does the user typically engage with the poster’s posts by liking or commenting?

In summary, on Instagram feeds, the algorithm would typically show a user posts from creators who create the kind of content they typically engage with, and who they have previously engaged with or tend to engage with frequently.  On reels and explore, Instagram goes further by showing users the content they think they will like based on their previous activity.

Stefanie explains it with a more straightforward example; “I am coming up on the two million followers mark and one thing that is readily noticeable is that many of these followers found me because they initially followed other supermodels who do what I do.

Likewise, when my followers consistently engage with my pictures and videos, they are also likely to see posts from similar creators who do what I do on their explore page or their reels. Now imagine what we can achieve as influencers if we become more intentional about giving and getting this exposure. The results are simply stunning.”

Collaboration as a Powerful Tool For Exposure

Since 2016, when Instagram made these changes to its algorithm, collaboration has become perhaps the most effective tool for exposure.  Creators collaborate in different ways, but the end goal is the same, and the results are similar.

Live broadcasts by Sponsored Influencers have become a thing. 82% of audiences prefer live video from influencers and brands to other generic content, which has made live videos both the present and the future of video content.

Since Instagram launched its new feature, which enables creators and users to go live with a friend remotely, influencers have used this feature to invite other creators on their platform for live broadcasts. Content ranges from talk shows to casual conversations, and the results have been favorable so far.

“Live videos have such an engagement boosting effect,” Stefanie explains. “The algorithms give live videos more exposure, so when influencers can link up via this feature, it helps the algorithm make the connection between their two sets of audiences. This can easily grow the platforms of both influencers by exposing them to new audiences.”

Hosting Account takeovers is another powerful collaborative tool that creators use to force the algorithm to give more exposure to their content.  An account takeover is a strategy where an influencer can surrender their account to another influencer for some time, either by posting only content from that influencer or giving the influencer access to their platforms to post directly.

The basic idea is to create a feeling that that influencer is in charge for that period. This is a powerful way that influencers use to expose their work and brands to other influencers’ audiences. The results are usually remarkable as the algorithm is forced to make that connection.

Collaborating with Aspiring Influencers is also becoming more popular. Stefanie recently launched the Baby G Mag, a subscription-based platform where other creatives can be featured and grow their own platforms. She explains why she thinks this strategy is helpful; “With all the algorithm changes, it has become difficult to grow organically today than it was a few years ago.

So, I built Baby G Mag specifically for other girls who want to grow their brand, make money, and can be seen by a guaranteed amount of paying customers. Right now we are collating with other magazines as well. Playboy Mexico has already seen us as an interesting platform to collaborate with in just our first few weeks.”

While many influencers are looking to connect with influencers with bigger platforms, Stefanie realizes that collaborating with up-and-coming influencers is a win-win. It exposes her to new audiences as these smaller influencers usually have a smaller but fiercely loyal audience. It is also her way of helping these influencers grow faster and gain more influence.

User-Generated Content (UGC) is also becoming stronger among influencers. 85% of users find visual UGC more influential than brand photos or videos. It also drives 6.9-times-higher engagement than generic content.

UGC is a form of collaboration that Influencers build with their followers. This is effective because followers tend to engage with UGCs at a higher rate. Since the algorithm gives more exposure to posts and platforms with more engagement, the Influencer’s platforms usually get seen way more. It’s a win-win for most influencers.

Influencer Pods are becoming robust as well. Some influencers have decided that the best way to link their audiences is to create pods of influencers. These pods usually have 10-15 influencers from within their industry who engage authentically with each other’s content; they share, like, and leave thoughtful comments on their most recent posts.

Many see pods as a way to skew the system and game the algorithm, but so far, no social media platform has cracked down on them yet. Stefanie believes that collaboration in whatever shape or form it comes is the key to consistent growth as influencers;

“In my case, my fame didn’t necessarily come from social media, but I have been able to maintain it on social media by continuing with the things I became famous for. My merchandise, my videos, and my photos are what people value about my brand, and so I remain consistent.

However, I also believe that helping others rise has helped me rise even more. Collaboration will probably always be a successful route to go even if the algorithms change again, because it is at the heart of what social media is trying to do, which is to connect people and to help people discover other relevant people. It’s a silver bullet by every standard.”

Stefanie’s points are valid; at the heart of most social media platforms is a desire to connect people and increase engagement. Their money-making structures are built around these same values. So it is likely that finding valuable ways to collaborate will always win in the end, and It’s difficult to have any problems with it whatsoever.

Annie Brown is the founder of Lips, a feminist technology organization at the forefront of the inclusive design movement, building products

Source: Influencers Are Utilizing Collaboration To Win Against AI Algorithms; Here’s How

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After Taking A Thanksgiving Break, Elon Musk Is Back To Selling Tesla Stock

Now that the post-Thanksgiving food coma has worn off, Elon Musk has resumed selling Tesla shares with unprecedented vigor. He exercised options to buy 2.1 million shares on Thursday, according to Securities and Exchange Commission filings, and immediately unloaded 924,091 shares, worth about $1 billion, to cover the tax bill from the transaction.

All told, Musk has shed about 10.1 million Tesla shares, worth nearly $11 billion. Roughly $5 billion of that sum has gone toward taxes owed from options exercising; the remaining money—an estimated $4.4 billion after taxes—has gone into Musk’s pockets.

Musk first embarked on the selling spree on November 8, two days after posting a Twitter poll asking followers if he should sell 10% of his Tesla stake, ostensibly in light of a short-lived legislative proposal that would tax the unrealized stock gains of billionaires. (58% of the millions of respondents voted yes.)

Yet Musk had already planned to sell some of his Tesla stock long before that. In mid-September, Musk set up a trading plan “for the purpose of an orderly sale of shares related to the exercises of options scheduled to expire in 2022,” SEC filings reveal. The chief executive faced a multibillion-dollar tax thanks to the options.

Since last month, he’s been chipping away at the 25.5 million options that were set to expire in 2022, exercising his right to buy 10.7 million shares and selling a total of 4.7 million shares to cover his tax bill. Musk still has more than 14.8 million options to exercise before the August 2022 deadline.

Meanwhile, he’s been dumping stock he has held for years as well. In total, he has sold 5.4 million shares—nearly 3.2% of his Tesla stake—for some $5.8 billion in pretax cash. To hit the 10% mark he promised his Twitter followers, Musk will have to sell an additional 11.6 million shares, worth about $12.1 billion as of Friday at 11 a.m. in New York.

The Twitter-saavy CEO has never sold stock like this before. Before November, Musk dumped Tesla shares only twice: In 2010, he jettisoned roughly 1.4 million shares for $24 million shortly after Tesla went public; in 2016, he sold 2.7 million shares for $593 million, which he used to cover taxes he owed for exercising some of his Tesla options.

Based on Tesla’s closing stock price on Thursday afternoon, Musk’s fortune stands at $282 billion, Forbes estimates, down from more than $300 billion just before the Thanksgiving holiday. Though the latest stock sales have boosted Musk’s famously-small cash pile, his net worth—which is largely tied up in Tesla stock—has ping-ponged over the past few weeks in line with the company’s stock price.

Shares are down roughly 17% from where they traded just before Musk posted his Twitter poll, representing more than $200 billion shaved from the electric car company’s market capitalization.

While Musk is no longer above the lofty $300 billion net worth threshold, he’s still miles ahead of the world’s second-richest person, Jeff Bezos, who currently sports an estimated $196.7 billion net worth. French fashion mogul Bernard Arnault claims spot No. 3, with an estimated $187.1 billion fortune, followed by No. 4 Bill Gates, who’s worth an estimated $136.1 billion.

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I’m a reporter on Forbes’ wealth team covering the world’s richest people and tracking their fortunes. I was previously an assistant editor for Forbes’ Money & Markets section, and I

Source: After Taking A Thanksgiving Break, Elon Musk Is Back To Selling Tesla Stock

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What to Wear Now? The Pandemic Closet Purge Is Under Way

Erin Fincher is having a reckoning—with her closet. In the nearly two years since the pandemic started, she has narrowed her social interactions, spent months holed up in leggings and sweatpants, had a baby and reassessed her priorities. As she looks ahead to the New Year and prepares to go back to the office a few times a week, she realizes that much of her pre-pandemic wardrobe no longer reflects her identity.

So she has filled three garbage bags with clothes and shoes to donate, and moved many other suits and high-heeled shoes into basement storage. She put away four black A-line dresses, at least a half-dozen Express blazers, and at least 10 button-down dress shirts.

“They were a person I used to put out into the world,” says Ms. Fincher, a graphic designer based in the Washington, D.C., area. “As I look at my clothing and weed things out, sometimes I question, ‘Who was I trying to be in the past and who do I want to be in the future?’ ”

After living for so long in sweatpants, some people are finding that their home closets—filled with suits, formal shoes, purses, blazers and belts—can feel like overstuffed relics from another life. Nearly three-quarters of respondents in a November survey by consumer research firm CivicScience of more than 4,200 U.S. adults said their closets contain many things they will never wear again. Only 15% said they want to leave their closets as-is.

Even Tim Gunn, the TV fashion mentor known for his tailored suits and coordinated pocket squares, says his style has shifted during the pandemic. He now reaches more for casual attire such as jeans or chinos paired with turtlenecks and a blazer, he says. “It’s hard after you experience the comfort trap to go back to clothes that constrain you,” says the co-host, along with model Heidi Klum, of “Making the Cut.” “I had an epiphany in how I want to present myself to the world,” he says.

The pandemic closet purge isn’t merely an exercise in swapping formal clothes for casual ones, stylists say. The purge feeds a desire to simplify during complicated, uncertain times. And it’s an acknowledgment that looks created in the before times often seem false or irrelevant now.

“During Covid, we had to live with ourselves for a long time, and so it gave us time to think, like ‘wait. What do we actually like?’ ” says Nashville-based stylist Payton Dale. “So many of us are walking around conveying this fake persona of what we think we’re supposed to be.”

Retreating into homes has blurred the boundaries of work, family and social life; clothing geared around those siloed identities no longer makes sense, she says. “Before, for women especially, it was, ‘Here’s your mom outfit. Here’s your office outfit. Here’s the event outfit,’ ” says Ms. Dale. “We were existing for other people and the roles we created.”

During the pandemic she started conducting what she calls “soul styling” sessions. She charges between $450 and $600 for three virtual one-hour sessions that involve discussion of personality, style idols, and a “mood board” of looks. Her business has doubled since the start of the pandemic, she says.

Professional organizers, stylists and secondhand clothing retailers say business is booming. Online thrift store thredUP Inc. says consumer requests for free “clean-out kits”—bags and shipping labels for consumers who want to clear their closets of clothing—were up 67% in the three months ended Sept. 30 compared with the same period last year.

Holiday parties, a resumption of some in-person office work, and increased socializing, even under the cloud of Omicron, has prompted more questions from clients about how they want to appear, says Ellen Delap, a certified professional organizer in Kingwood, Texas.

Closets these days are “like an archaeological dig,” she says. “It’s not just putting on clothes. It’s much more than that,” she says. Suits, belts, purses and formal attire often go to consignment or to storage, she says. “People are seeking a simpler way to get out the door.”

Washington, D.C.-based Current Boutique, a secondhand retailer, says it received more than 22,000 pieces of clothing from consignors in September and October this year—the highest amount owner Carmen Lopez has seen in over 15 years—compared with roughly 15,000 during those two months of 2020 and about 19,000 for the same period in 2019.

Many of the items people are discarding are more formal, fancier pieces. “There’s a feeling you don’t have to fit into what you’re ‘supposed’ to wear,” says Ms. Lopez.

In the last six months, Julia Elrod has pieced together a new look that she describes as “retro academic punk.” This winter, the senior program analyst in Brentwood, Md., foresees a life that gets her out of the house more: She will likely start heading back into the office four times a week, and hopes to get together more with friends and even go out on dates with her husband. None of the stay-at-home leggings and long sweaters appeal to her anymore.

Merely getting rid of a bunch of clothes “felt like a Band-Aid,” she says. She wanted not only to cull her closet but also to find clothes that better fit her new sense of self.

“Pandemic life kind of coincided with becoming a new mom and working from home and trying to figure out what’s really important in life,” she says. “I don’t want to be the person fussing over a giant wardrobe.”

Starting a year ago, she spent $450 on consulting sessions with Ms. Dale. She has pulled together six garbage bags stuffed with leggings, blazers and work pants that no longer fit and will donate them. One of her new favorite looks: an old Star Wars or rock concert T-shirt paired with a blazer and high-waisted jeans. She wore the outfit to dinner recently with a work friend.

“I felt like myself,” she says. “And like I could focus on what I was out for and not my clothes.”

Christopher Rim purged his closet of 14 Tom Ford suits and over 30 ties, giving them to friends and to his younger brother who works in finance. “I haven’t worn a suit since February of 2020,” says the 26-year-old founder of an education-consulting firm, who lives in Miami. He met recently with a client while wearing a T-shirt and jeans; his client wore the same. “In another time we would have both been wearing suits,” he says.

He feels more at ease without the fuss of matching a tie or polishing shoes or carrying a suit jacket. “A lot has changed. People are more relaxed and a little more casual and comfortable,” he says. “I think it’s a good thing.”

Anne Marie Chaker

By: Anne Marie Chaker 

Source: What to Wear Now? The Pandemic Closet Purge Is Under Way – WSJ

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The Sudden, Uncomfy Fall of The Biggest Pandemic Fashion Trend

Last year, many people got many things wrong about how the pandemic might change our lives. No, cities did not die; yes, people still blow out birthday candles and risk spreading their germs. But few 2020 forecasts missed their mark so spectacularly as the oft-repeated claim that, as the world reopened, we’d return to it in sweatpants.

If any single event crystallizes this misfire, it’s last month’s announcement that the direct-to-consumer loungewear brand Entireworld was going out of business. The company had been a breakout darling of 2020, its cheerfully hued cotton basics poised at the fortuitous intersection of “cute enough for Zoom” and “cozy enough to work, sleep, and recreate from bed in, for the bulk of a calendar year”. News outlets, meanwhile, pointed to Entireworld’s astonishing 662% increase in sales last March not as a right-place, right-time one-off, but an indication of our collective sartorial destiny.

The sweatpant has supplanted the blue jean in the pants-wearing American imagination,” declared GQ last April. The New York Times Magazine followed suit a few months later with an Entireworld name-check in its August 2020 cover story, headlined “Sweatpants Forever”.

But it wasn’t to be. Instead, as 2021 brought forth the world’s reopening, I noticed a style sensibility that seemed to defy last year’s housebound pragmatism. From Instagram to the streets of my New York City neighborhood, the people were turning looks. Kooky looks, to be precise, from platform Crocs to strong-shouldered silhouettes.

My online window shopping exploits turned up scores of sundry garments, across brands, all in the same exuberant hue of 90s DayGlo green. From sensible underpants to faux fur–trimmed tops, I subconsciously catalogued the color labels assigned to each (“celery”, “gross green”, “slime”).

This new, psychedelic palette seemed like a spiritual departure from Trump-era minimalism and its many shades of beige. Less dutiful, more winking.

Sweatpants seem destined for a mere supporting role. Jessica Richards, a trend forecasting consultant based in New York City, agrees that the pandemic has changed the way we dress. “It’s actually for the better,” she says – and in more ways than one.

It’s no coincidence that the styles of the Great Re-entry reflect a certain giddiness, says Dr Jaehee Jung, a University of Delaware fashion studies professor who researches the psychology of fashion and consumer behavior. “The fact that there are more opportunities to present ourselves to others makes us excited about the clothes we wear,” Jung tells me.

“I’m definitely seeing people taking more risks, in terms of color choices, prints and patterns, even shapes and silhouettes that they wouldn’t have worn before,” says Sydney Mintle, a fashion industry publicist in Seattle. “People are like, ‘life is short, wear yellow.’”

Tamar Miller, CEO of the women’s luxury footwear brand Bells & Becks, has seen this fashion risk-taking impulse first-hand in her company’s recent sales. “My absolute, number-one, kind of off-the-charts shoe is one I did not expect,” she says.

That shoe, per Miller’s description, is a pointed-toe loafer in black-and-white snakeskin leather, topped by a prominent decorative tab with hardware detailing. It’s a bold choice, and one that affirms the demographic breadth of the desire to make a statement. Miller’s target customers are not members of Gen Z, but rather their parents and grandparents.

Secondhand clothing – and its promise of luxe-for-less – has also found its time to shine.

2020 was a banner year for the online resale market. Digital consignment platforms like Depop, ThredUp, and Poshmark swelled with the sartorial discards of an estimated 52.6 million people in 2020, 36.2 million of whom were selling for the first time, according to a survey by ThredUp. A majority of millennial and Gen Z consumers indicated that they plan to spend more on secondhand apparel in the next five years than in any other retail category, a sentiment expressed by 42% of consumers overall.

It’s a phenomenon that may also be contributing to the moment’s ethos of mix-and-match experimentation. “Gone are the days of sleek, edited ‘capsule wardrobes’, and in their place are drawers overstuffed with vintage treasures sourced from Poshmark or Depop,” writes Isabel Slone in a recent Harper’s Bazaar article headlined “How Gen Z Killed Basic Black”.

This doesn’t necessarily mean that fast fashion is on its way out. (“Some of those brands are doing big business, and the numbers don’t lie,” Mintle sighs.) But the boom reflects, and may have helped accelerate, a growing departure from trend-chasing and disposable, low-cost wares. You might even say that reflexive participation in fads is so 2019 – not least because the US is struggling with supply chain bottlenecks as we enter the holiday season.

But our Roaring Twenties may be on the horizon. For 2022, Richards anticipates sparkle, novelty, “shoes that go ‘clunk’” and “really maximalist styling”. She didn’t mention sweatpants.

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Source: The sudden, uncomfy fall of the biggest pandemic fashion trend | Fashion | The Guardian

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